Cabernet Sauvignons, Cabernet Francs, and Syrahs do well in Umbria. And the rather full-bodied, spicy Sagrantino, a very tannic red wine unique to Umbria, is worth special mention. That said, few of Umbria red wines communicate much sense of place, and there are many nondescript Sangiovese or Sangiovese-Cabernet-Merlot blends made. One notable exception is Lungarotti's deservedly famous Rubesco Riserva. Sagrantino di Montefalco does have real personality: these highly alcoholic, tannic behemoths can also age for decades. And the air-dried version, a Passito not unlike Recioto della Valpolicella, can be fascinating.
As for Umbria white wines, Orvieto benefits from rich volcanic tufo soils that nurture minerality and complexity. Unfortunately, decades of industrial-scale production have ruined their image, and today a handful of serious producers are struggling to emerge from the wreckage.
Italy, like France, offers a world of wine styles within a single country: dry Italian white wines ranging from lively and minerally to powerful and full-bodied; cheap and cheerful Italian red wines in both a cooler, northern style and a richer, warmer southern style; structured, powerful reds capable of long aging in bottle; sparkling wines; sweet wines and dessert wines.
Most of Italy enjoys a relatively warm climate, and the southern portion of the country can be particularly hot in the summer months. However, Italy's Apennine mountain chain, which traverses the country from north to south, provides an almost infinite number of soil types and exposures, as well as favored hillside sites in virtually every region, where vines can be cultivated at higher, cooler altitudes. Mountainous terrain has also resulted in the segregation of many small wine regions, enabling dozens of indigenous grape varieties to survive in near isolation. Here, Italy markedly differs from most of the wine world, which is becoming increasingly international in nature.
But Italian wine, as most North Americans know it, is a fairly recent phenomenon. Prior to the 1950s, only a tiny proportion of Italy's wines were even bottled by the farmer who grew the grapes. Most Italian wine was consumed by the local market. The Italian government's DOC system (Denominazione di Origine Controllata), created in the 1960s, imposed more explicit standards and thereby improved Italian wine quality while at the same clarifying the labeling of wines and thus making it far easier for Italian producers to ship their wines abroad. (Today DOCG -- Controllata e Garantita -- is theoretically the highest level in the quality pyramid of Italian wine, with this special status more recently granted to such historically important Italian wine areas as Barolo, Barbaresco, Brunello di Montalcino and others: areas that had previously enjoyed DOC status for at least five years.)
Of course, some of the most innovative Italian wine makers quickly began to look for ways to escape the restrictions of this system. They believed that DOC laws actually prevented them from making the best possible wines -- for example, by proscribing the use of certain grape varieties or by requiring them to age their wines in wood barrels longer than they believed was beneficial in some years. Those with a more independent bent essentially opted out of the system, instead producing wines that were simply classified as Vini da Tavola (table wines) but that in a number of cases surpassed the "official" best Italian wines in quality and price. (A new law passed in 1992 created the IGT category, or Indicazione Geografica Tipica, for the innovative Vini da Tavola for which DOCs were not yet created.) These trailblazers have revolutionized Italian wine over a period in which French wines have merely "evolutionized."